Initiative Münchner Galerien zeitgenößischer Kunst

 

Haus der Kunst

Prinzregentenstr. 1 • 80538 M
Tel +49 (0) 89 211 27 113
www.hausderkunst.de
mail@hausderkunst.de
Mon, Tue, Thu, Sun 10 am – 6 pm • Fri + Sat 10 am – 8 pm

Prinzregentenstr. 1
80538 München

Current exhibitions

Michael Armitage

Michael Armitage

Paradise Edict

04.09.2020 - 14.02.2021
Michael Armitage
The Chicken Thief, 2019
Oil on Lubugo bark cloth 78 3/4 x 59 1/16 in. (200 x 150 cm)
© Michael Armitage. Photo © White Cube (Theo Christelis)
Ausschnitt/detail

 
 

Archiv Galerie 2020/21

Archiv Galerie 2020/21

Archives in Residence – euward Archiv

18.09.2020 - 25.04.2021
Seit dem Jahr 2000 vergibt die Münchner Augustinum Stiftung den euward - den einzigen Kunstpreis von internationalem Rang für Kunst im Kontext geistiger Behinderung. Das euward Archiv ist im Rahmen der Serie „Archives in Residence“ zu Gast im Haus der Kunst und macht einen Teil seiner Bestände erstmals öffentlich zugänglich. Dokumente, Fotografien und audiovisuelle Medien erzählen von vielseitigen Begabungen und Leidenschaften, aber auch von Verletzungen und dem Ringen nach Anerkennung. Die Präsentation versteht sich als Einladung, unsere Vorstellungen von inklusiver Kultur und diverser Gesellschaft neu zu diskutieren.
Kuratiert von Sabine Brantl.

 

 
 
Cyrill Lachauer.

Cyrill Lachauer.

I am not sea, I am not land

23.10.2020 - 11.04.2021
Since 2011, every six months different media works from the Sammlung Goetz have been presented in curated group exhibitions in the former air raid shelter of Haus der Kunst. For the first time since the establishment of the cooperation, a solo exhibition is on view in this space: Cyrill Lachauer. I Am Not Sea, I Am Not Land. The Sammlung Goetz, which contains extensive groups of works by Cyrill Lachauer, commissioned the artist to develop a new installation for this unusual location.
The result is the extensive multimedia installation Cockaigne – I Am Not Sea, I Am Not Land (2018-2020); it consists of films, videos, slide projections, sound installations, photographs and wall texts. In the work, the artist explores the idea of land in its most varied forms. Land, for example, can signify home and thus provide roots, or it may provide nourishment. It can, however, foster a sense of inclusion or exclusion when it embodies the idea of nationhood. The title Cockaigne refers to the 1567 painting by Pieter Bruegel the Elder, The Land of Cockaigne, a mythical land of plenty. It symbolizes a utopian-ironic alternative to the everyday harshness of rural life.
The point of departure for the project was the film Dodging Raindrops – A Separate Reality (2017), which is the only pre-existing work presented in the exhibition. The artist, who was born in Rosenheim in 1979 and lives in Berlin, studied directing, ethnology and art. In his youth, he came across the book A Separate Reality by Carlos Castaneda. Motivated by the idea of a narrative landscape, in which the history of its inhabitants is also inscribed, Lachauer traveled to the United States. Starting in Los Angeles he followed the route of fictional field research of Carlos Castaneda. It remains to be seen how much of his own history Lachauer, who critically questions his role as a white European man, artist and traveler, has incorporated in the film.
A cooperation with Haus der Kunst

Sammlung Goetz im Haus der Kunst, München

Cyrill Lachauer
Cockaigne; I am not land, I am not sea, 2020
(Filmstill: Justin), ©️ the artist
Courtesy Sammlung Goetz, Medienkunst, München

 

 
 

Upcoming exhibitions


Past exhibitions

Franz Erhard Walther

Franz Erhard Walther

Shifting Perspectives

06.03.2020 - 29.11.2020
„Franz Erhard Walther
Shifting Perspectives“
Installationsansicht, Haus der Kunst, 2020
Foto: Markus Tretter, © VG Bild-Kunst Bonn 2020

 
 

Monira Al Qadiri. Holy Quarter

Monira Al Qadiri. Holy Quarter

Kapsel 12

31.01.2020 - 30.08.2020
 

Brainwashed

Brainwashed

31.01.2020 - 20.09.2020
Sammlung Goetz im Haus der Kunst, München

Brainwashed is dedicated to the pop cultural phenomenon of the mainstream, which reached its climax in the early 2000s. Characteristic of this mainstream were media formats such as reality TV, Hollywood film productions with the claim of being global events, an advertising industry dominated by self-improvement and an internationally driven star cult with countless music videos.

The exhibition explores the question as to which manipulative strategies in pluralistic societies were able to create a media consonance, a tone-setting taste in culture, including the propagation of political convictions or even hegemonic views of history.
The selection of works reveals the link between economy, media and politics, which aims at influencing people and maximizing profits. The artists brought together here critically expose commercial visual languages and their contradictory promises, stereotypes and clichés. Their artistic processes of deconstruction include new editing and collage techniques, as well as diverse practices of self-statging, such as medially communicated branding.
The extent to which the mainstream of the early 2000s resulted in – and continues to effect – a radically destabilised sense of self-confidence and personal judgement. This also affected the popular images we have of artists. The exhibition strives to raise awareness for these mechanisms of manipulated seeing and feeling, as well as the attitudes of reception influenced by them in event societies.

With assume vivid astro focus, A K Dolven, Cheryl Donegan, Ryan Gander, Jonathan Horowitz, Bjørn Melhus, Tracey Moffatt & Gary Hillberg, Shana Moulton, Seth Price, Paul Pfeiffer, Pipilotti Rist, Wolfgang Tillmans and Ryan Trecartin.

Curated by Jana Baumann
 

Sung Tieu. Zugzwang

Sung Tieu. Zugzwang

Kapsel 11

30.01.2020 - 30.08.2020
 

Innenleben

Innenleben

29.11.2019 - 29.03.2020
Njideka Akunyili Crosby
Leonor Antunes
Henrike Naumann
Adriana Varejão

 

 
 

Theaster Gates: Black Chapel

Theaster Gates: Black Chapel

25.10.2019 - 16.08.2020
 

Markus Lüpertz

Markus Lüpertz

Die Zone der Malerei

13.09.2019 - 26.01.2020
 

Nachts. Zwischen Traum und Wirklichkeit

Nachts. Zwischen Traum und Wirklichkeit

Sammlung Goetz im Haus der Kunst

12.07.2019 - 06.01.2020
Ed van der Elsken
Paris, 1952
Gelatin silver print
40 x 31 cm
© the artist
Courtesy Sammlung Goetz, München

 

 
 

Miriam Cahn: Ich als Mensch. I as Human

Miriam Cahn: Ich als Mensch. I as Human

12.07.2019 - 27.10.2019
Miriam Cahn
atombombe, 1986, 1986
watercolor
50 x 42 cm (19 5/8 x 16 1/2 in.)
cahn_86_14-4510
Courtesy the artist, Galerie Jocelyn Wolff,
Paris and Meyer Riegger Berlin, Karlsruhe
Photo: François Doury

 
 

Archives in Residence: The Southeast Asia Performance Collection

Archives in Residence: The Southeast Asia Performance Collection

28.06.2019 - 29.09.2019
 

Michael Buthe

Michael Buthe

08.07.2016 - 20.11.2016
"For me my sun is, like all images, a functional object for seeing, for feeling, for dreaming, for understanding." In these words Michael Buthe (1944–1994) describes one of his central, recurrent motifs. With bright hues or gleaming gold, the artist collects the whole world, in fact the whole cosmos, within the circle of this heavenly body. The work of the globetrotter, who discovered on many trips the art and life from Morocco over North Africa, the Middle East  to Iran, encompasses archaic-looking assemblages, luminously colored works on paper and intensively treated canvases, collages and paintings in gold.
Michael Buthe knew no fear of contact: taking his lead from German Informal Art and American Minimal Art he is fascinated by non-European cultures, counters the cool concept of Minimalism with pronounced sensuality. Although a contemporary of the change from the industrial to the information society he deliberately drew like Joseph Beuys and the artists of the Italian Arte Povera on the sensual fullness of poor and natural materials. The artist changed numerous sculptures for new exhibition contexts. For just as lived life the artwork should transform permanently.
The retrospective at the Haus der Kunst combines loosely chronological important work groups. There are the early drawings of the 1960s and 1970s, the large-format fabric images, paintings, sculptures, assemblages including the only two remaining of his major installations, which appeal to all the senses of the audience, making Michael Buthe's spatial thinking tangible.
A cooperation between Kunstmuseum Luzern, S.M.A.K., Gent, and Haus der Kunst, Munich. Idea and concept: Heinz Stahlhut, Kunstmuseum Luzern.

Galerieseite (Detail): Stoffbild, 1969, Germanisches Nationalmuseum Nürnberg
Home, Slider und Reihung (Detail): Die heilige Nacht der Jungfräulichkeit, 1992, Kunstmuseum Luzern

Alle Bilder: Michael Buthe, © VG Bild-Kunst, Bonn 2016
Fotos: Maximilian Geuter